Bergama Village Rugs and the Early Turkish Carpet
Author: amil
href = "http://nazmiyalantiquerugs.com/" target = "_blank"> Turkish carpets occupy an unusual position in the target = "_blank"> carpet world. During the late Middle Ages and the Renaissance, they were excellent decoration target = "_blank"> carpet together, dominating the market in Europe and even the Middle East itself. From the late thirteenth century, the famous traveler Marco Polo commented on the high esteem in which Turkish carpets were held. Throughout the fifteenth and sixteenth centuries, the great master painters of Europe has based on Turkish carpets as accessories of substance which could immediately think of the status and prestige of the various characters they represented. Only during Centuries later, sixteenth and seventeenth has Persian carpets and rugs acquire the surface they now occupy as the rule or standard of oriental rugs for interior decoration. Nowadays, with the exception of Sivas Oushak or carpets, Turkish rugs are mainly attractive to collectors eagerly seeking scatter size rugs produced in villages throughout Turkey in Asia. Among this generation Turkish village, some guys hold a special significance for color and exceptional sense of design nomadic or tribal? Yürük eastern Turkey, Konya and Karapinar carpet central Turkey, and the Melas and the Bergama carpets region of western Anatolia. Carpet inside this production Bergama have a special place because of the high quality of their weaving and the purity of their design, which has remained faithful to the types described Renaissance painting right into the nineteenth century and even later.
Antique Turkish Bergama RugThe example shown here (40792) reproduces the so-called Ghirlandaio type, so called because they were represented by the great Italian master Domenico Ghirlandaio (1449-1494). Although very likely occurred in the mid-nineteenth century, this example is extremely close to some carpet of this type that can be dated from the fifteenth century, and the examples described by Ghirlandaio himself. The medallions composed of different segments or facets adapted from a classic type of Islamic architectural decoration known as? mugarnas?. The small marks on the edges are drawn as small squares with angle brackets. The medallions on the carpet are a type developed where elements are muqarnas expanded outward and grouped around a central square enclosing an octagon. The spandrels also have stepped muqarnas loads more small squares hung in each step. The border consists of four radial clusters serrated leaves is an ancient type attested among the oldest existing Ottoman carpets and paintings of the Renaissance.
What is striking about the Turkish village rugs Northwest, as is their commitment to tradition and high quality technical standards. Or carpets eastern Anatolia Yürük nineteenth century, also arise from the very tradition that early parts Bergama, but they rarely retain the ornamental detail specific or rich, a varied palette of multiple red, blue, green and yellow (690). It is therefore not uncommon the Turks in the northwest or parts Bergama May be dated far too late, or sometimes too soon. Coming with specific dates for the pieces in this tradition maintenance is sometimes quite difficult.
Antique Turkish Bergama Bergama Carpet Phototh term is actually a catch-all popular trade of carpets for various productions ancient local areas around Bergama and whose specific identity is now better known. Many parts commonly known as Bergama has been made in the villages of Yacgibedir, Ezine, or Balekesir Canakkale. The latter is particularly known for his palette and designs. Canakkale rug as in this example the mid-nineteenth century (723) have a distinctive rich apricot or earth salmon accompanied by abundant soft blue sky, pale green celadon and yellow gold, in conjunction with ivory. The designs resulting carpets Canakkale Turkish carpets at the beginning of the so-called? Holbein? type, so called because they appear in the paintings of the artist of the Northern Renaissance Hans Holbein the Younger (1497-1543). Octagonal medallions with edges drawn by pairs of series of hooks are curling? Holbein? elements of classical Turkish derivation and the spandrels with indentations deep cruciform. The border is also a former type certified in first generation Turkish carpets. But the overarching Canakkale rug like this is not as old as reasons component. The arrangement of the medallions in a group of four linked by bands with small hooks from a different source classical Turkish the so-called Star carpet Ushak sixteenth and seventeenth centuries, which have four lobes, like a star medallions. The original aspect of the design is the combination Canakkale Plan Ushak star medallion with elements Holbein. This development is difficult today, but it probably came about in the early eighteenth century and continued in the nineteenth century. There are even examples in the early twentieth century this view, although they tend to lose celadon and tones golden. During the nineteenth century, however, Canakkale weavers developed a simplified version of this model with a looser grouping medallions better suited to size rugs. But these continued to use elements? Holbein? type.
The very traditional or conservative antique Bergama Turkish carpets or the Northwest is particularly relevant and interesting for fans of carpets who appreciate the beauty special early Turkish carpets. Addition examples fragmentary and damaged, genuine accessories beginning of this type before 1600 are extremely rare outside of the historical museums specializing in carpets and textiles, and when they appear on the market, they sell at prices that museums can no longer afford. Bergama carpets offer the opportunity realistic to acquire authentic Turkish antique pieces that have preserved almost intact the extraordinary sense of design and color for which carpet Turkish early so prized. As such, they are a collector? S dream in a world where dreams do not come so easily.
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